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Sabtu, 19 April 2014

Stream Amy Film Complet Entier VF En Francais

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Despite just two albums to her name Amy Winehouse is one of the biggest music icons in British history. With a voice oft described as a combination of Billy Holiday, Dinah Washington and Sarah Vaughan, Amy Winehouse was a pop star with soul; a once in two generational musical talent whose appeal crossed cultural and demographic boundaries. But while her music made her a star, her chaotic personal life stole headlines. Before her death, Winehouse had discussed forming a jazz/hip-hop supergroup with Roots drummer-producer Questlove, Raphael Saadiq and Mos Def. She'd also reportedly "mapped out" a new solo album and even booked studio time with both Ronson and Salaam Remi, who co-produced her acclaimed second (and final) album, 2006's Back to Black. "She probably finished the writing -process a few weeks before she passed," said Remi. "As far as I could see, we had 14 songs. Whatever needed to happen, it was right there." The producer allowed the Amy crew to use a recording of Winehouse reciting lyrics to an unreleased song titled "You Always Hurt the Ones You Love."

About Amy

Artist : Amy Winehouse, Yasiin Bey, Mark Ronson, Tony Bennett, Pete Doherty, Mitch Winehouse, Tyler James, Monte Lipman, Salaam Remi
As : Amy Winehouse, Yasiin Bey
Title : Stream Amy Film Complet Entier VF En Francais
Release date : 2015-07-03
Movie Code : 2870648
Duration : 90
Category : Documentary, Biography, Music

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Name : Kyle Ryan / Alias : AV Club
Winehouse was a complicated artist who deserved a nuanced, honest look at her life. In lesser hands, Amy could be a feature-length E! True Hollywood Story, but Kapadia treats his subject with respect and heart.

Name : Wesley Morris / Alias : Grantland
There are a couple of scenes in Asif Kapadia's new Amy Winehouse documentary, Amy, that make the fame-industrial complex seem rock-bottom awful.

Name : Ella Taylor / Alias : NPR
"All I'm good for is making tunes," she tells one interviewer. "So leave me alone to do that." Her time ran out far too early, but the luck is all ours - we still have the voice.

Name : Stephen Dalton / Alias : Hollywood Reporter
Amy is an emotionally stirring and technically polished tribute, its sprawling mass of diverse source material elegantly cleaned up, color-corrected and shaped into a satisfying narrative.

Name : Joe Morgenstern / Alias : Wall Street Journal
One of Mr. Kapadia's most inspired strokes in this valuable documentary is to put her lyrics on screen as she sings them, so we can see for ourselves the essential elements of her songs as they reflected, and intertwined with, her tumultuous life.

Name : Peter Howell / Alias : Toronto Star
Kapadia's illuminating, compassionate and tragic doc goes way up and way, way down with the gone-too-soon Amy Winehouse.

Name : Tom Long / Alias : Detroit News
Plenty of folks praise Winehouse in "Amy." But no one was there to save her. Perhaps it wasn't possible. But perhaps it was.

Name : David Edelstein / Alias : New York Magazine/Vulture
Amy is alternately thrilling and devastating, throwing you back and forth until the devastation takes over and you spend the last hour watching the most supernaturally gifted vocalist of her generation chase and find oblivion.

Name : Steven Rea / Alias : Philadelphia Inquirer
The film is remarkable not just for the immense talent there to see in Winehouse's performances, but the fact that there is so much to see.

Name : Steve Pond / Alias : TheWrap
Heartbreaking and wrenching, if not always satisfying.

Name : Rafer Guzman / Alias : Newsday
A loving but honest portrayal of a doomed talent.

Name : Jim Farber / Alias : New York Daily News
The result may be depressing, but the performance footage balances it with rousing evidence of Winehouse's eternal talent.

Name : Chloe Schama / Alias : The New Republic
[An] unpredictably graceful film (given its sometimes ugly material).

Name : Rex Reed / Alias : New York Observer
Watching Amy is a torturous but endlessly hypnotic experience.

Name : Miriam Di Nunzio / Alias : Chicago Sun-Times
The film is often uncomfortable to watch, prompting that little voice inside each of us to scream out "Somebody help her!"

Name : Kerry Lengel / Alias : Arizona Republic
It's hard to watch. And even harder to look away.

Name : Sara Stewart / Alias : New York Post
It's clear the smart, passionate singer knew her own mind - and the consequences of what she was doing to her body. But her tragic end, and the highly publicized chaos leading up to it, shows self-awareness wasn't enough.

Name : Peter Rainer / Alias : Christian Science Monitor
A powerful, and powerfully sad, experience.

Name : Jordan Levin / Alias : Miami Herald
You don't need to be a fan of British singer Amy Winehouse to be moved by the documentary Amy, a devastating examination of the deadly effect that celebrity culture, media and drugs can have on artists.

Name : Jake Coyle / Alias : Associated Press
Amy is a clear-eyed, deeply empathetic view of Winehouse, whose huge talent and sudden fame made too many forget she was still just a vulnerable young woman in serious need of help.

Name : Lisa Kennedy / Alias : Denver Post
One thing is for certain: It will be much harder to hear that handful of powerful, lush, carnal songs on Back to Black without the wallop of melancholy.

Name : Paul de Barros / Alias : Seattle Times
"Amy," Asif Kapadia's documentary about the short, tragic life of British retro soul singer Amy Winehouse, is a heartbreaker.

Name : Ty Burr / Alias : Boston Globe
"Amy" doesn't depart from the standard behind-the-music template, but it does deepen the format immeasurably, through the intimacy of its archival materials and the focus of its approach.

Name : Peter Travers / Alias : Rolling Stone
It's Amy's words, her music, her voicemails, her home videos, her friends, her family, her tormentors, and her timeless incandescence. Look, listen and weep.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
The ugly unraveling of Winehouse's life infuriates and saddens anew, as Kapadia's poignant documentary reminds viewers of what was and what might have been, but was ultimately, tragically never to be.

Name : Christy Lemire / Alias : ChristyLemire.com
A mesmerizing yet devastating look at a singular talent.

Name : Dave Calhoun / Alias : Time Out
Anyone with a beating heart will be forgiven for allowing it to break during this unflinching and thoughtful account of the life and death of the soul singer.

Name : Kenneth Turan / Alias : Los Angeles Times
[An] accomplished, quietly devastating documentary .

Name : Inkoo Kang / Alias : TheWrap
Like all theories, the doc's "truth vs. phoniness" narrative has a few blind spots.

Name : Manohla Dargis / Alias : New York Times
Mr. Kapadia isn't simply revisiting Ms. Winehouse's life and death, but also - by pulling you in close to her, first pleasantly and then unpleasantly - telling the story of contemporary celebrity and, crucially, fandom's cost.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
"Amy" is a film about the waste of a great talent, and you dread the inevitable ending.

Name : Ann Hornaday / Alias : Washington Post
In Kapadia's assured and careful hands, the film becomes less a portrait of a tragic artist, whose downward spiral was exacerbated by opportunistic family members and colleagues, than a discomfiting mirror held up to her audience.

Name : Guy Lodge / Alias : Variety
This lengthy but immersive portrait will hit hard with viewers who regard Winehouse among the great lost voices not just of a generation, but of an entire musical genre.

Name : Ben Sachs / Alias : Chicago Reader
Kapadia and King provide some worthy insights about the damaging effects of celebrity on psychologically fragile individuals. And the music is fantastic.

Name : Michael Phillips / Alias : Chicago Tribune
"Amy" makes you wonder about a lot of things, one being the oldest cliche in show business - the one about the high price of notoriety, whether you have the money to cover the bill or not.

Name : Stephanie Zacharek / Alias : Village Voice
Even if the last third of Amy is painful to watch, Kapadia takes care not to lose sight of the human being behind the mythology.

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Sabtu, 31 Desember 2011

Big Eyes Full Movie Magyarul

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Directed and produced by Tim Burton, BIG EYES is based on the true story of Walter Keane (Christoph Waltz), who was one of the most successful painters of the 1950s and early 1960s. The artist earned staggering notoriety by revolutionizing the commercialization and accessibility of popular art with his enigmatic paintings of waifs with big eyes. The truth would eventually be discovered though: Keane‘s art was actually not created by him at all, but by his wife, Margaret (Amy Adams). The Keanes, it seemed, had been living a lie that had grown to gigantic proportions. BIG EYES centers on Margaret‘s awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work. (C) Weinstein.

About Big Eyes

Artist : Amy Adams, Christoph Waltz, Terence Stamp, Danny Huston, Jason Schwartzman
As : Margaret Keane, Walter Keane, John Canaday, Dick Nolan,
Title : Big Eyes Full Movie Magyarul
Release date : 2014-12-25
Movie Code : 1126590
Duration : 106
Category : Drama

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Name : Elizabeth Weitzman / Alias : New York Daily News
"Big Eyes" is still a compelling film, well presented and solidly performed by leads Amy Adams and Christoph Waltz. But more weirdness would have done wonders.

Name : Amy Nicholson / Alias : L.A. Weekly
You can't help but sense Tim Burton nodding in agreement when Walter bellows, "Just because people like my work, does that make it bad?"

Name : Claudia Puig / Alias : USA Today
Fascinating, nimbly acted and, an er, eye-opening look at the culture of male dominance of a couple generations past.

Name : Betsy Sharkey / Alias : Los Angeles Times
This portrait of a woman on the verge - of success, of suppression, of submission, of rebellion - is never fully realized.

Name : Wesley Morris / Alias : Grantland
Burton might need to get further from blockbuster bloat in order to regain his formal mastery of kitsch. Right now his sense of comic portraiture is too easily mistakable for splatter painting.

Name : David Edelstein / Alias : New York Magazine/Vulture
Adams is lovely and tremulous, but Big Eyes would be even better if Waltz was in the same key.

Name : Justin Chang / Alias : Variety
"Big Eyes" doesn't seem to trust either the factual truth or the emotional logic of the dilemma it's showing us.

Name : Ty Burr / Alias : Boston Globe
Waltz ham-and-eggs Adams off the screen. In the process, the movie strands her character without an inner life, a psychology, or anything that would indicate what makes her tick.

Name : A.O. Scott / Alias : New York Times
In "Big Eyes," the sincerity of the artist trumps the judgment of the critics, and her vision triumphs over fraudulent promotion. It makes a passionate case for her. Whether it vindicates her art is another question entirely.

Name : Rafer Guzman / Alias : Newsday
A smart, funny, feel-good film - from Tim Burton? It's his best since "Ed Wood."

Name : Peter Rainer / Alias : Christian Science Monitor
Adams is very good at the difficult art of making passive characters interesting - a gift that stands her in good stead here.

Name : Richard Corliss / Alias : TIME Magazine
The Keane story is a rich parable that deserves either a wilder or a more acute telling than Burton provides here.

Name : Bill Goodykoontz / Alias : Arizona Republic
The story is just so downright weird that the film can't help but be compelling. Just not as compelling as it could have been.

Name : Dave Calhoun / Alias : Time Out
Burton lets Waltz run wild, sucking the air out of every scene with his hysterics, and the always-endearing Adams is left looking like a rabbit in the headlights.

Name : James Berardinelli / Alias : ReelViews
A straightforward and mature film with little in the way of overt weirdness.

Name : Joe Morgenstern / Alias : Wall Street Journal
I watched wide-eyed with dismay while the film turned as lifeless as the paintings.

Name : Rex Reed / Alias : New York Observer
Nimble, off the beaten track and very entertaining, it's the cinematic equivalent of a lava lamp.

Name : Steven Rea / Alias : Philadelphia Inquirer
A wondrously strange true story about art and heartbreak, intellectual property theft, and the subjugation of women.

Name : Michael Phillips / Alias : Chicago Tribune
Instead of comic and dramatic provocation, "Big Eyes" settles for a pastel set of emotions lost in a primary color world.

Name : Ann Hornaday / Alias : Washington Post
"Big Eyes" is technically and aesthetically attractive.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Throughout his career, Burton has always been capable of surprising audiences. "Big Eyes" is no exception.

Name : Peter Travers / Alias : Rolling Stone
For all its tonal shifts and erratic pacing, the film is Burton's heartfelt tribute to the yearning that drives even the most marginalized artist to self expression no matter what the hell anyone thinks.

Name : James Adams / Alias : Globe and Mail
Burton lets his film putter along in middle gear, provoking neither riotous laughter nor emotional immersion.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Tim Burton fashions the perfect frame around these actors and then lets them fill out this marvelous creation.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Despite its sharp feminist sting, Big Eyes never loses its light touch. Maybe the lesson here is that Burton should venture out of his dark, creepy comfort zone more often.

Name : Ben Sachs / Alias : Chicago Reader
Amy Adams and Christoph Waltz are charismatic in the lead roles; occasionally they distract from the movie's overall smugness.

Name : A.A. Dowd / Alias : AV Club
Big Eyes has plenty of surface pleasures, but there was reason to expect more than that from it.

Name : Todd McCarthy / Alias : Hollywood Reporter
This nimble, bemused, culturally curious look at the married instigators of the kitschy "big eyes" paintings of the early 1960s exudes an enjoyably eccentric appeal while also painting a troubling picture of male dominance and female submissiveness .

Name : Moira MacDonald / Alias : Seattle Times
Visually inventive, as are all of Burton's movies, "Big Eyes" is pleasant enough to watch; you just wish there were more to it.

Name : Kyle Smith / Alias : New York Post
"Big Eyes" toys with some amusing ideas, and that's enough.

Name : Bruce Demara / Alias : Toronto Star
It dwells in that amorphously ill-defined zone, Dramedyland, a place from whence audiences too often return with a shrug and a vague sense of confusion and disappointment.

Name : Inkoo Kang / Alias : TheWrap
"The most human film from Burton since "Ed Wood," this biopic of kitsch painter Margaret Keane (Amy Adams) marks a small but significant artistic growth."

Name : Stephen Whitty / Alias : Newark Star-Ledger
What matters is, does the artist speak through this work? And does this work speak to you? And "Big Eyes" does. I just wish it spoke louder.

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