Senin, 16 Mei 2011

ღ W.A.T.C.H ღ Rosewater Film Free

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Rosewater is based on The New York Times best-selling memoir "Then They Came for Me: A Family‘s Story of Love, Captivity, and Survival," written by Maziar Bahari. The film marks the directorial debut of "The Daily Show" host Jon Stewart, and stars Gael Garcia Bernal. Rosewater follows the Tehran-born Bahari, a broadcast journalist with Canadian citizenship. In June 2009, Bahari returned to Iran to interview Mir-Hossein Mousavi, who was the prime challenger to president Mahmoud Ahmadinejad. As Mousavi‘s supporters rose up to protest Ahmadinejad‘s victory declaration hours before the polls closed, Bahari endured personal risk by sending footage of the street riots to the BBC. Bahari was arrested by police, led by a man identifying himself only as "Rosewater," who tortured and interrogated him over the next 118 days. With Bahari‘s wife leading an international campaign to have her husband freed, and Western media outlets keeping the story alive, Iranian authorities released Bahari on $300,000 bail and the promise he would act as a spy for the government. (C) Open Road Films.

About Rosewater

Artist : Gael Garcia Bernal, Kim Bodnia, Haluk Bilginer, Shohreh Aghdashloo, Golshifteh Farahani
As : Maziar Bahari, Rosewater, Baba Akbar, Moloojoon,
Title : ღ W.A.T.C.H ღ Rosewater Film Free
Release date : 2014-11-14
Movie Code : 2752688
Duration : 103
Category : Drama

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Comment For Rosewater Full Movie With English Subtitles

Name : Bill Goodykoontz / Alias : Arizona Republic
Stewart proves to be an able filmmaker in "Rosewater." But he also shows hints of being something more.

Name : Tom Long / Alias : Detroit News
Stewart's enthusiasm for his story and passion about injustice ring clear, but throughout what could have been a dreadfully somber film, he remembers to breathe.

Name : Alonso Duralde / Alias : TheWrap
While the film keeps telling us that Bahari survived his ordeal by freeing his mind from imprisonment and eventually outsmarting his rosewater-scented interrogator, we are told that he's doing so more than we're seeing it.

Name : Claudia Puig / Alias : USA Today
Stewart has created an informative, dark and witty story imbued with black humor surrounding Bahari's confinement.

Name : Mary Houlihan / Alias : Chicago Sun-Times
With Rosewater, Stewart proves he can pull back from the satirical comedy and become a thoughtful, incisive and questioning filmmaker.

Name : Joe Morgenstern / Alias : Wall Street Journal
A persuasive production despite its limited budget .

Name : James Berardinelli / Alias : ReelViews
This is Jon Stewart's directorial debut; the talk show comedian has a handle on the material and conveys it clearly.

Name : Wesley Morris / Alias : Grantland
The film goes slightly beyond rigorous earnestness and settles into a kind of stubborn atonement.

Name : J. R. Jones / Alias : Chicago Reader
Rosewater certainly has merit as an act of atonement on Stewart's part and a tribute to people like Bahari. In the end, however, the movie needs to stand on its own, apart from its noble intentions and the popularity of its writer-director.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
"Rosewater" is a reminder that America may have its critics, but at least there's little danger of the average citizen being arrested for appearing on a fake news show.

Name : Kenneth Turan / Alias : Los Angeles Times
Stewart acquits himself solidly, though not thrillingly, as a beginning director .

Name : Esther Breger / Alias : The New Republic
The main question Rosewater grapples with is whether Stewart can hack it as a filmmaker. The answer: sort of?

Name : Michael O'Sullivan / Alias : Washington Post
"Rosewater" doesn't hector, nor does it giggle about the issue of press freedom. It's an impressive and important piece of storytelling.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Stewart does a solid job of handling the facts of the time; it feels true to the moment, like a filmed Newsweek story. Creative acting, dramatizedthemes, gifted cinematic styling? Not so much.

Name : David Denby / Alias : New Yorker
The hard-focus clarity of the images (Bobby Bukowski did the cinematography) leads to an intimacy with anguish that passes into expressionism.

Name : Kyle Smith / Alias : New York Post
Jon Stewart's filmmaking debut "Rosewater" has much in common with "The Daily Show" - it's blaringly obvious, it's naive, it plays to the cheap seats and it's enamored with cheap jokes.

Name : Richard Corliss / Alias : TIME Magazine
The virtue of this movie is its commitment to political ambiguity and emotional truth.

Name : Steven Rea / Alias : Philadelphia Inquirer
A strong, striking political drama.

Name : Joshua Rothkopf / Alias : Time Out New York
The film settles into the kind of sobriety you've seen too often .

Name : Peter Howell / Alias : Toronto Star
Stewart lets the truth roll out, the best he can, believing in the sanitizing effect of sunlight and the inevitable fate that awaits all despots.

Name : Joe Neumaier / Alias : New York Daily News
While it may seem like another triumph-over-adversity tale, the movie is really about what sustains us during impossible moments.

Name : Mick LaSalle / Alias : San Francisco Chronicle
For a first effort, Stewart hasn't done a bad job. There's just the nagging feeling with "Rosewater" that a better movie was possible.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Stewart can never quite answer the question: Why this man's story, of all the ones that should be told? And why now, five years later?

Name : Ty Burr / Alias : Boston Globe
What makes "Rosewater" different from similar entries in what might be called the Triumph of the Imprisoned Spirit genre is that the hero is hardly an ideologue, despite having sympathy for the Iranian reformers and the Green party.

Name : Bob Mondello / Alias : NPR
Rosewater . has an urgency that's all about the storytelling smarts of its first-time writer-director.

Name : Geoff Pevere / Alias : Globe and Mail
It's a movie made for people who prefer to take their politics while sitting on the couch.

Name : Manohla Dargis / Alias : New York Times
Mr. Stewart's interest in the material is obviously personal, but his movie transcends mere self-interest.

Name : Michael Phillips / Alias : Chicago Tribune
Stewart's wryly observant qualities as a TV star serve him well in his feature film debut.

Name : John Anderson / Alias : Newsday
Earnest, well-acted, less than urgent, but more than a vanity project.

Name : Stephanie Zacharek / Alias : Village Voice
Rosewater is an earnest picture, but it's also got some juice - there's vitality and feeling in it, the secret ingredients so often missing from even the most well-intentioned first features.

Name : Joe McGovern / Alias : Entertainment Weekly
Rosewater, starring the geeky-charismatic Gael Garcia Bernal as Bahari, is a gripping drama, smartly calibrated for Western audiences who still need an education in the bright, progressive, fight-back impulses in Iranian culture.

Name : Scott Foundas / Alias : Variety
A solid, powerfully acted political drama about human endurance in the face of ideological oppression.

Name : Peter Rainer / Alias : Christian Science Monitor
Stewart does a credible job of maintaining the story's immediacy, but I must say I felt relieved that the film wasn't a masterpiece. If it was, we'd have more reason to fear Stewart will leave The Daily Show.

Name : David Edelstein / Alias : New York Magazine/Vulture
In outline, Rosewater sounds earnest, one-note, relentless - something you'd watch out of a sense of duty. But it turns out to be a sly, layered work, charged with dark wit along with horror.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Centrist mush-basic, boilerplate human-interest stuff that's too shapeless to completely work as drama, and too depoliticized to be taken seriously as anything else.

Name : James Rocchi / Alias : Film.com
"Rosewater" marks the debut of a director whose brains and guts are the equal or the better of his eye and heart .

Name : Jocelyn Noveck / Alias : Associated Press
A clear-headed, sensitive and thoroughly impressive directorial debut for the Comedy Central host.

Name : Soren Anderson / Alias : Seattle Times
A finely wrought, powerful drama that tells the true story of an Iranian-born journalist's imprisonment and torture by the Islamic regime in Iran.

Name : Dana Stevens / Alias : Slate
Though at times Rosewater is clearly the work of a first-timer still finding his voice, Stewart is indisputably a real filmmaker.

Name : Todd McCarthy / Alias : Hollywood Reporter
Stewart and cinematographer Bobby Bukowski cover it all in a straightforward, watchable way, the performances are all sincere and solid and the situation is easy to respond to emotionally.

Name : Tomas Hachard / Alias : NPR
The result neither portrays the suffering of Bahari's incarceration adequately nor lampoons the absurdities of the situation.

Name : Peter Travers / Alias : Rolling Stone
That the movie is as tense and chilling as it is owes much to first-time director Jon Stewart's keen eye for the way humor surfaces even in the dark places.

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Minggu, 01 Mei 2011

Bastards Peliculas Yonkis

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Peliculas Yonkis
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Comment For Bastards Aanhangwagen Review

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

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